Video: “Now I Can Vex and Buy 1,000 Laptops”: Singer Fola Reflects on Difficult Beginnings in Music

Nigerian singer Fola has reflected on the challenges he faced while trying to pursue music without access to basic equipment, saying his journey has taken him from admiring other people’s laptops to being able to afford hundreds of them.


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Nigerian singer Fola has opened up about the difficult circumstances he experienced while pursuing his musical ambitions, recalling a time when he did not even own a mobile phone and could only admire people who had laptops.


The singer, reflecting on his journey and improved financial circumstances, described how difficult it was to pursue music without access to the necessary equipment and technology.


“I didn’t even have a phone. I used to see people opening their laptops and I would be like, Ayyy Laptop. There was no way to do music. It was so hard but now I can just vex and buy 1000 laptops,” Fola said.


His remarks highlight the challenges aspiring musicians can face when they lack the resources needed to record, produce and develop their sound. For many emerging artists, access to a laptop, recording software and other basic tools can make a significant difference in their ability to create music and reach a wider audience.


In today’s music industry, technology plays an increasingly important role in the creative process. Artists rely on digital audio workstations, recording equipment, online distribution platforms and social media to produce, promote and distribute their work. However, these opportunities can remain difficult to access for individuals who lack the financial means to acquire the necessary tools.


Fola’s recollection offers a glimpse into the contrast between his earlier struggles and his present circumstances. His reference to being able to buy 1,000 laptops, even in frustration, conveys how dramatically his perception of financial limitations has changed.


The statement has also drawn attention to the importance of persistence and access to resources in creative careers. While talent and determination are essential, aspiring musicians often need equipment, mentorship, industry connections and financial support to turn their ambitions into sustainable careers.


For artists who begin without adequate resources, progress can involve years of learning, experimentation and finding alternative ways to create music. Some rely on shared equipment, affordable recording studios or collaborations with producers who have access to the tools they need.


Fola’s account resonates with the broader experiences of young creatives who have ambitions but lack the resources to pursue them fully. His comments illustrate how an item that once appeared unattainable can eventually become something an individual can afford without hesitation.


Beyond the striking comparison, the singer’s remarks underscore the distance that can exist between an artist’s early circumstances and later achievements. They also reflect the growing role of digital technology in shaping opportunities within Nigeria’s music industry.


Although the quote does not establish the specific circumstances that contributed to his progress, it offers a personal reflection on the challenges of pursuing music with limited resources and the satisfaction that can come with overcoming financial barriers.


For aspiring musicians, the story serves as a reminder that access to equipment can influence the creative journey, even as determination, skill development and consistent effort remain important parts of building a career.

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